○ Aigis ○ 08/21/1993 ○ Europe ○
○ Shawol ○

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thedramaticsneeze:

hoshigumayuugi:

i actually like being up early i just don’t like getting up early

YOU  PUT THIS IN WORDS

(via fruit-flies-like-bananas)

(Source: bbrando, via bigbangpunch)

(Source: littleshinee, via sachia)

smalllindsay:

swegener:

joshtierney:

One of my favourite pieces by Roger Ebert is his “Great Movies” appreciation of Spirited Away (read it in full here). At the end of the piece he details an encounter he had with Hayao Miyazaki himself, where Miyazaki defines one of the key differences between the work of Studio Ghibli and mainstream American animation. I can see his words relating to comics as well, and these words are well-worth reading for any creative and parent.

Here is the excerpt from Ebert’s piece:

I was so fortunate to meet Miyazaki at the 2002 Toronto film festival. I told him I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or sigh, or gaze at a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ‘ma.’ Emptiness. It’s there intentionally.” He clapped his hands three or four times. “The time in between my clapping is ‘ma.’ If you just have non-stop action with no breathing space at all, it’s just busyness.”

I think that helps explain why Miyazaki’s films are more absorbing than the frantic action in a lot of American animation. “The people who make the movies are scared of silence” he said, “so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions—that you never let go of those.

“What my friends and I have been trying to do since the 1970’s is to try and quiet things down a little bit; don’t just bombard them with noise and distraction. And to follow the path of children’s emotions and feelings as we make a film. If you stay true to joy and astonishment and empathy you don’t have to have violence and you don’t have to have action. They’ll follow you. This is our principle.”

He said he has been amused to see a lot of animation in live-action superhero movies. “In a way, live action is becoming part of that whole soup called animation. Animation has become a word that encompasses so much, and my animation is just a little tiny dot over in the corner. It’s plenty for me.”

It’s plenty for me, too.

Yes

Yes.

(via absolutezeronow)

WELCOME BACK!

(Source: minkissu, via kwibom)

(Source: seppin, via schokoshrimp)

ivyblossom:

thedailywhat:

Fandom News of the Day: Amazon Unveils a Fanfic Publishing Platform

Beginning in June, fanfiction authors will be able to self-publish their works from selected partner franchises via Kindle Worlds. Gossip GirlThe Vampire Diaries and Pretty Little Liars are already on board with the project and more are expected to be announced the official launch. However, authors aren’t exactly jumping at the chance to turn their works into cash: by using the platform, authors give all rights to the work to Amazon, who can then license your elements to other authors with no compensation to the original poster. The platform also will not publish stories containing pornography, excessive use of brand names or crossovers, so your Superwholock mpreg (male pregnancy) stories will just have to stay on Tumblr.

Desire to write fanfiction for Amazon so they can profit from it at the expense of fandom: nil.

disobedient-nightmare:

thecatcherintheryebread:

This is flat out vulgar! There are minors present! 

There are minors present

(via euphilia)

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